An Illustrated History of Old Sutton in St.Helens
Part 14 (of 58) - History of Clock Face Colliery
The pit took its name from the old Clock Face pub and Clock Face Road, but the village as we know it today, was non-existent when sinking operations first began.

Clock Face Colliery taken possibly around 1905 looking across Gorsey Lane with Burtonwood to the left. The original headgear is over no. 3 shaft and a basic chute arrangement delivers coal to rail wagons underneath. The locomotive in the centre is the typical design that worked in St.Helens collieries. The original no. 1 shaft is shown to the right, and behind it is the Boiler House in which steam was generated for winding engines and other services - contributed by Sutton Historic Society

Clock Face Colliery was initially under the ownership of Bold Hall Estate Co. Ltd. who registered their company on July 20th, 1893 with a capital of £200,000. Their directors included two millers, a ship owner, a sugar refiner, a colliery proprietor plus industrialist and benefactor Colonel David Gamble. The latter donated the Gamble Institute, where Central Library is housed, to the people of St.Helens.
Although established primarily to exploit the minerals on former Bold Hall land, the company's industrial remit also included:

Pit sinking could be as perilous an occupation as mining and Andrew Neary was fatally injured in July 1896 when water was accidentally tipped onto him. Then the Liverpool Mercury of October 11th, 1899, reported how sinker Charles Booth had also lost his life. During the previous year, John Davies of Neill's Row, Bold, sued the Bold Hall Estate Co. for £300 damages after losing virtually all of his sight. This was after gelignite cartridges had exploded in the pit sinker's face. During the court hearing, it was revealed by John Nolan of Sutton Moss that he and his fellow workers at Clock Face had been forced by the company to contract out of the Employers' Liability Act. The company argued that Davies had caused the accident and had also contracted himself out of the Act, so was not entitled to any compensation. The jury were not impressed by the unsympathetic treatment of Davies and awarded him £200.
On March 23rd, 1900, the Manchester Times described how 250 men had been involved in the sinking and construction of shafts over the "past four or five years" but had now been discharged. They said that the high prices of fuel and iron had also contributed to the suspension of operations at Clock Face as well as the problems with water.
In 1904 The Wigan Coal and Iron Company took over the colliery and invested in powerful pumps capable of pumping out water from the pits. Now Clock Face could develop as a business and they converted no.1 shaft into a pumping pit that coped with over 700,000 gallons of water per day. Of this 500,000 gallons were sold to St.Helens Corporation for use as drinking water.

Clock Face Colliery Pump House with Musgrave & Sons pump on the left - contributed by Sutton Historic Society
The above photograph is of the Pump House at Clock Face. The pumps needed to be large and kept running at top efficiency, as failures would allow the build up of water. They were housed in a dedicated building, where an attendant maintained and kept them clean and reported variations in operating cycle.
In the view above, we can see the attendant with two large pumps. The one on the left was manufactured by Musgrave & Sons of Bolton, which closed in 1926. So it is likely that this pump was part of the original 1904 installation and that the photograph was taken shortly after installation. The attendants, however, were so dedicated to their work in keeping the equipment spotlessly clean, that it is not easy to say if the equipment is new, or had been in service for many years.
Like all pits, Clock Face colliery had its share of industrial disputes. Some were national strikes, others were regional or localised disputes such as in 1910. Then the men at Clock Face struck for several months, claiming that their day wages were less than at other collieries.

A portrait of James Whittall the manager of Clock Face Colliery c.1900 to 1911 - contributed by Ernie Bate
James Whittall was one of Clock Face Colliery's earliest managers, if not the very first. He was probably in charge from around 1900 to 1911 and he may also have been the manager of an adjacent brickworks. James lived at 440 Clock Face Road and Red Villas in Clock Face and his great-grandson Ernie Bate has a painted portrait of him hanging in his home:

Harold Whitehead the manager of Clock Face Colliery during World War 1 - contributed by Brian Legg
Harold Joshua Whitehead (1884-1965) took over as manager at Clock Face Colliery between 1911 to 1917, before transferring to become manager of Abram Colliery, Bickershaw and later Garswood Hall Colliery. G. B. Tristram was listed as manager in the 1923 edition of the Wigan Coal and Iron Co's Colliery Year book. This also revealed that Clock Face's nos. 1 and 2 pits had 475 workers (underground and surface) with no.3 pit having 819 workers underground and 204 on the surface.

When Head Foreman Alfred Davies (1881-1923) was found dead under a girder in no.3 pit at Clock Face in 1923, the St.Helens Reporter's account (20/4/1923) of his inquest reported comments made by the inspector of mines and by fellow mineworker Walter Jones:
In March 1924, 50-years-old Isaac Daniels died after being struck by a large stone during a roof fall. The under-manager and fireman were admonished at Daniel's inquest for failing to provide sufficient roof props. Mining historian Ian Winstanley has identified over thirty deaths at Clock Face Colliery during its life, with most fatalities caused by roof or stone falls.

Headgear, screens building & winding house (right) of no. 3 downcast pit of Clock Face Colliery during the 1920s

That is with the exception of two men who are putting on sheeting and installing windows into the 'screens' building. They are stood on what appears to be a single plank without rails or protective helmets. Occupational health and safety during the 1920s, was not what it is today! A rare day with no production was an ideal time to perform such tasks. When mining operations were underway, the whole building would shake from the vibrating screens and shakers, which is not good for new glass.
The top photograph also shows rope coming out of the winding house on the right of the picture. Ebor Rowley from Leach Lane, Sutton was, for many years, a winder at the colliery until its closure. Like other winders in pits, Ebor would sit alone responding to the shaft signals. A member of St.Nicholas church choir, Ebor is pictured (left) on a day trip to Southport in 1950.
The screening process was an important part of mining and it's worth describing its function and the processes and technologies employed at Clock Face in some detail. Screening or sorting was required because the material that came up the shafts in the 'tubs' (skips in Sutton Manor and Parkside) was not just coal. It also included rock, plus discarded items used in maintaining miners' safety, eg. timber, steel bars and brattice cloth used in ventilation. The coal also varied in size and type and burning efficiency.

Clock Face Colliery photographed from Gorsey Lane with Sutton Manor to the right - Note how the headgear of no. 2 pit on the left of the picture is being dismantled, ready for its replacement with new steel headgear of similar design to the no. 3 pit on the right which is integrated with the new screen building - contributed by Sutton Historic Society
As mining developed and more mechanised methods of coal extraction were introduced, the boxes or tubs now contained items other than pure coal. These needed to be removed as the colliery's customers would not be happy with a coal delivery that included rock or other non-combustible items.
It was also necessary to remove the aforementioned redundant items, such as timber and brattice cloth, so they could be recycled or disposed of. In the early days, these products were crudely extracted before they got into wagons or coal sacks. This hand separation work was mainly carried out by women and it was slow, tiring work. Developments in the efficiency of underground extraction, the opening of multiple coal seams and improved winding speeds and techniques led to greater volumes being wound and so improved screening methods were needed.

The letterhead of John Wood & Sons Ltd. who designed and made the screens at Clock Face Colliery
Both the horizontal and vertical separations ended via chutes into rail wagons underneath. When all these drops in levels are added together, it can be appreciated that the original surface stopping level for the cages in the shaft now had to be much higher. Coupled with the introduction of overwind safety devices into the headgear, to stop the possibility of the cage going over the pulleys, these changes required complete new headgears to be installed or existing ones modified. Clock Face Colliery covered all of these issues during the 1920s, illustrated in the following pictures.

Clock Face Colliery pictured in John Wood & Son catalogue - From the Graham Isherwood Collection
The above photograph again taken from inside the colliery yard looking towards Gorsey Lane, shows the exterior of the completed screens building integrated with the downcast no. 3 pit's new headgear. The building was very large with many levels inside. Full coal wagons can be seen under the building ready to be despatched via the rail line to the left, which joins the Widnes line south of Clock Face. An example of the loading chute from the scrap bin can be seen at the front right of the picture.
The screens building was a significant investment for the Wigan Coal and Iron Company and John Wood & Sons supplied the screening equipment. They included the photographs below in their catalogue which demonstrate the different stages of screening at Clock Face.

Two photos taken inside the Clock Face Colliery screens building - From the Graham Isherwood Collection
The upper part of the first photo above shows the tippler housing into which tubs discharged their coal, with two lines of shaker conveyors below. The inclined steel shakers are thrown forwards and backwards by an eccentric drive shaft and rod system. Hole perforations in the bottom plate begin a sizing process, and the end of the shaker feeds a motorised continuous 'slat' conveyor travelling to the left.
The second photograph on the right shows the next stage with the slat conveyors taking the coal through a hand screening area. Women would generally stand alongside these conveyors to remove unwanted items, dropping them into a hopper between the 2nd and 3rd conveyors. Note the steps and platform used to cross from one position to another, and the shovels that were used in the removal process as well as to keep the floor clean. The small amount of coal on the conveyors suggest that the photographs were taken at the installation period during trials of the various stages of screening.

Inside the screens building pictured in John Wood & Son's catalogue - From the Graham Isherwood Collection
The above photograph is further along the same process, with the slat conveyor on top. When in operation, coal was delivered to the inclined perforated 'troughs' and then onto another slat conveyor. The perforations are small in size and are likely to have been used to capture the last of the 'slack' or very small coal.
Note the rake leaning onto the bunker which was used to remove unwanted items or to clear build ups in the passage of coal. The slat conveyors at this point are now sloping downwards, suggesting that this particular line is getting close to its final delivery into a hopper/ bunker.

Sectional drawing of the Clock Face screens building - From the Graham Isherwood Collection

The strikes in the 1920s caused considerable hardship to the families of miners. Just days before the 1926 national strike and lock out, the St.Helens Reporter, in an article entitled 'Who Picks the Coal? - Dangerous Practice at Clock Face' (16/4/1926), described how serious damage had been caused to the colliery dirt heap by one hundred and fifty people who'd been helping themselves to coal.
The article reported that it had been the custom for some months for local people to regularly visit the heap and "purloin some of the coal which they found there". The practice had continued despite the death of a man, which the newspaper described as a "raider", who some weeks earlier had been buried alive whilst taking coal.

Women picking coal at Clock Face Colliery during the 1926 lock out - note small boy on left

Clock Face Colliery miners thought to have been taken during the 1926 strike - contributed by Alan Mercer
The above photograph is believed to have been taken during the 1926 strike. Dick Latham of Gorsey Lane is second from the left in the front row of pitmen that are facing the camera. To Dick's left and just behind him with head turned, is David Mercer, also of Gorsey Lane. Can you name any other miners? Note some very youthful faces amongst them. A larger version of the picture can be viewed Here.

Clock Face Colliery headgears, screens and winding house (undated but the desolate scene suggests a strike day)

The upcast shaft is the one through which the large ventilation fans extract the foul air from the mine workings, a process that promotes its replacement by fresh air. This is delivered via the no. 3 downcast shaft, whose winding house can be seen behind the building steelwork on the left. The no. 1 shaft was the pumping shaft, through which large volumes of water were brought up daily. This was through the work of large pumps contained within the pump house on the right of the picture facing the shaft.
On the extreme right of the above photograph, the lower section of the colliery chimney through which the boiler's combustion products were extracted, can just be seen. The boiler also produced steam for various colliery uses including heating the offices and baths etc. Some black-looking insulated hot water pipes from that location can also be seen on the right.
Pit-head baths were opened at Clock Face Colliery in 1939 by the Earl of Crawford, which were praised in the St.Helens press as a "boon to the housewife". A walkway ran from the Screens house across Gorsey Lane and connected the main colliery site to the baths building which also contained the lamp room, offices, gardens and a canteen. The award-winning gardens were tended by pit staff giving the colliery a 'rural' feel.
The mineworkers and their families needed housing and 122 colliery houses were created in Clock Face and a strong community spirit prevailed. The Clock Face Colliery carnivals were said to be among the most talked about events in the north-west and the pit had its own colliery band. In a report in the St.Helens Newspaper of May 12th, 1939 it was stated that:
In connection with Band Sunday, Clock Face Colliery prize band under the conductorship of Mr. J. Williams played at the evening service at Clock Face C. of E. Mission last Sunday. In the afternoon Mr. W. Stubbs, a blind man, gave an inspiring and fitting address on the nature of the occasion. ![]()

Programme for the Clock Face Colliery Recreation Club Athletic Sports
The Clock Face band, along with the Sutton Manor Colliery band, played at the annual Athletics Sports meetings which were first held in 1947. These were organised by the Clock Face Colliery Recreation Club and took place on the large recreation ground opposite the Clock Face Hotel, in between the main road and Crawford Street. The programme for the 1950 sports reveals that thirty-one events were scheduled that year with a total prize money of £140. That's equivalent to over £3000 in today's money. The day ended with a Grand Carnival Dance in St. Aidan's School to the music of G. Roughley and his Band.

Horace Pugh is second from right c.1947/8 standing next to his brother-in-law Frank Spakauskas (right) who was home on leave from the Sudan and being given a tour of the pit. A brilliant photographer who was born in Pendlebury Street, Frank was contracted by MGM whilst in Kenya to take stills for The Snows of Kilimanjaro starring Gregory Peck - contributed by Alan Pugh.
Horace Pugh was the Land Sale Manager at Clock Face Colliery from the 1940s. This was a curious title as it had nothing to do with land requisition or land sales. Horace and his staff were instead responsible for the selling of coal to the miners and public and he also had responsibility for the coal yard and sidings that ran down the side of Gorsey Lane. His office was at the main gate opposite the baths, just to the left of the gate. When the mine closed Horace was transferred to Bold Colliery as Land Sale Manager and remained there until his retirement.
However Horace began working at Clock Face as a 'Bevin Boy', one of many young men who were enlisted to work at the pit, instead of in the armed forces, as his son Alan Pugh recalls:
There are many who still recall the sight of black-faced miners walking through Clock Face village during the 1950s, including Ernie Bate:

St Helens Reporter 23/10/1965 - courtesy St.Helens Local History & Archives Library

Clock Face Colliery lampman Johnny Quinn with best friend and fellow pitman David Mercer (1st and 3rd in second photo) - Johnny's son, John Quinn, played professional football for Sheffield Wednesday - contributed by Alan Mercer

It is like losing a member of the family. Here you are in a community that has gone on for many years. It is a very homely and friendly pit from the management right down to the workers and this feeling has prevailed throughout the years. ![]()

The protest only lasted forty-eight hours as they knew that it was ultimately futile, but it was the only way the miners knew to let off steam.
After the colliery closed, a pump was installed to daily deliver tens of thousands of gallons of near pure water from underground to Sutton Manor Colliery and into the public water system.
The site was reclaimed by St Helens Council as a community woodland and public open space in the late 1990s and is now known as Clock Face Colliery Country Park and enjoyed by many. Other than the hidden-away capped shafts, the old baths complex in Gorsey Lane is all that's left of the historic colliery.

Capped shaft number 1 at the former site of Clock Face Colliery pictured in 2009 - contributed by Neil Selfridge

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